The minimalism of Nik Bärtsch’s pianism is disembodied and carried in a territory where repetition is not the pure sign of what we once called minimalism genre -and now should be called postminimalism. Through repetition he explores newer dimensions of expressions, digging in his reportoire and exploring again the depths of the expression.
![Nik Bärtsch’s Ronin – Awase [ECM 2018]](https://i0.wp.com/www.musicforwatermelons.com/wp-content/uploads/2018/05/nik-baertsch-awase.jpg?resize=540%2C304&ssl=1)
The sign is a fracture that only ever opens onto the face of another sign (Roland Barthes) The music of… Continue reading
![Markus Reuter feat. Sonar and Tobias Reber – Falling for Ascension [Ronin Rhythm Records 2017]](https://i0.wp.com/www.musicforwatermelons.com/wp-content/uploads/2017/12/a1297080462_10.jpg?resize=540%2C304&ssl=1)
English version Su un muro della mia città, peraltro abbastanza coperto dal sole, campeggiava un verso del poeta Paul Eluard, Nulla… Continue reading
![Bjorn Meyer – Provenance [ECM 2017]](https://i0.wp.com/www.musicforwatermelons.com/wp-content/uploads/2017/10/bjiorn-meyer-provenance.jpg?resize=540%2C304&ssl=1)
Ho avuto la fortuna di aver incontrato molti musicisti tecnicamente preparatissimi, ma il primo che è riuscito veramente ad impressionarmi… Continue reading